Project Description

About this Project

A new 4 manual console has now been installed in Summerall Chapel at the Citadel in Charleston, SC. The first real pipe stop added back to the organ was a Trompette Militaire installed in the rear of the Chapel in early 2017. Renovations have begun on the Great, Choir, and Pedal divisions which will fill the North Chamber.  Most of the original 1937 Reuter pipework is to be reused, placed on new wind chests. To be completed late 2018.  Future phases include the relocated Swell division, and new Solo division which will both be located in the South Chamber, along with a few more Pedal stops.

Stop List

GREAT 1. Sub Principal 16′
Unenclosed 2. First Open Diapason 8′
Manual II 3. Second Open Diapason 8′
4. Principal Flute 8′
5. Bourdon 8′
6. Viole de Gambe 8′
7. Gemshorn 8′
8. First Octave 4′
9. Second Octave 4′
10. Hohlflute 4′
11. Twelfth 2 2/3′
12. Fifteenth 2′
13. Fourniture IV 1 1/3′
14. Cymbale III 1′
15. Double Trumpet 16′
16. Tromba 8′
17. Flugel Horn 8′
18. Clarion 4′
non-coupling 19. Trompette Militaire (Solo) 8′
non-coupling 20. Tuba Major (Choir) 8′
21. Chimes (Solo)
22. Tremulant

 
SWELL 1. Lieblich Gedeckt 16′
Expressive 2. Diapason 8′
Manual III 3. Geigen Principal 8′
4. Voce Umana 8′
5. Salicional 8′
6. Voix Celeste (tc) 8′
7. Rohrflute 8′
8. Octave 4′
9. Flute Triangulaire 4′
10. Nazard 2 2/3′
11. Flautino 2′
12. Tierce 1 3/5′
13. Plein Jeu IV 2′
14. Contre Basson 32′
15. Basson 16′
16. Trompette 8′
17. Oboe 8′
18. Vox Humana 8′
19. Clarion 4′
20. Tremulant
21. Swell to Swell 16′
22. Swell Unison Off
23. Swell to Swell 4′

 
CHOIR 1. Dulciana 16′
Expressive 2. Principal 8′
Manual I 3. Concert Flute 8′
4. Dulciana 8′
5. Unda Maris (tc) 8′
6. Gedeckt 8′
7. Octave 4′
8. Koppelflute 4′
9. Super Octave 2′
10. Quinte 1 1/3′
11.  Scharf IV 1 1/3′
12. Fagotto 16′
13. Cornopean 8′
14. English Horn 8′
15. Clarinet 8′
non-coupling 16. Tuba Major 8′
17. Harp
18. Tremulant
19. Choir to Choir 16′
20. Choir Unison Off
21. Choir to Choir 4′

 
SOLO 1. Grand Open Diapason 8′
Expressive 2. Harmonic Flute 8′
Manual IV 3. Viola Pomposa 8′
4. Viola Celeste 8′
5. Orchestral Flute 4′
6. Grand Cornet IV
7. French Horn 8′
8. Orchestral Oboe 8′
9. Trompette Militaire 16′
10. Trompette Militaire 8′
11. Tuba Major (Choir) 16′
12. Tuba Major (Choir) 8′
13. Tuba Clarion (Choir) 4′
14. Chimes
15. Flue Tremulant
16. Reed Tremulant
17. Solo to Solo 16′
18. Solo Unison Off
19. Solo to Solo 4′

 
ANTIPHONAL 1. Principal 8′
Unenclosed 2. Bourdon 8′
Floating 3. Erzahler Celeste II 8′
4. Octave 4′
5. Open Flute 4′
6. Fifteenth  2′
PEDAL 1. Contrabass 32′
Unenclosed 2. Contra Bourdon 32′
3. Principal 16′
4. Sub Principal (Great) 16′
5. Dulciana (Choir) 16′
6. Violone 16′
7. Bourdon 16′
8. Spitzflute 16′
9. Lieblich Gedeckt (Swell) 16′
10. Octave 8′
11. Gemshorn 8′
12. Bourdon 8′
13. Still Gedeckt 8′
14. Choral Bass 4′
15. Cantus Flute (Solo) 4′
16. Mixture IV 2 2/3′
17. Contre Bombarde 32′
18. Contra Basson (Swell) 32′
19. Bombarde 16′
20. Double Trumpet (Great) 16′
21. Basson (Swell) 16′
22. Fagotto (Choir) 16′
23. Bombarde 8′
24. Trumpette Militaire (Solo) 16′
25. Trumpette Militaire (Solo) 8′
26. Cornopean (Choir) 8′
27. Clarion 4′
28. Flugel Horn (Great) 4′

 

 
COUPLERS 1. Great to Pedal 8′
2. Great to Pedal 4′
3. Swell to Pedal 8′
4. Swell to Pedal 4′
5. Choir to Pedal 8′
6. Choir to Pedal 4′
7. Solo to Pedal 8′
8. Solo to Pedal 4′
9. Antiphonal to Pedal 8′
10. Swell to Great 16′
11. Swell to Great 8′
12. Swell to Great 4′
13. Choir to Great 16′
14. Choir to Great 8′
15. Choir to Great 4′
16. Solo to Great 16′
17. Solo to Great 8′
18. Solo to Great 4′
19. Antiphonal to Great 8′
20. Swell to Choir 16′
21. Swell to Choir 8′
22. Swell to Choir 4′
23. Solo to Choir 16′
24. Solo to Choir 8′
25. Solo to Choir 4′
26. Antiphonal to Choir 8′
27. Antiphonal to Solo 8′
28. Great/Choir exchange
29. All Swells to Swell