Project Description
About this Project
This project consisted of a new, four manual digital organ for St. Monica Catholic Church in Berwyn, PA.
Stop List
GREAT | 1. | Violone | 16′ |
Partially Enclosed | 2. | 1st Diapason | 8′ |
Manual II | 3. | 2nd Diapason | 8′ |
4. | Principal Flute | 8′ | |
5. | Doppel Flute | 8′ | |
6. | Gamba | 8′ | |
7. | Octave | 4′ | |
8. | Waldflute | 4′ | |
9. | Twelfth | 2 2/3′ | |
10. | Fifteenth | 2′ | |
11. | Mixture V | 1 1/3′ | |
12. | Harmonics IV | 1 3/5′ | |
13. | Posaune | 16′ | |
14. | Tromba | 8′ | |
15. | Clarion | 4′ | |
16. | Tremolo | ||
17. | Chimes (So) | ||
18. | Great Unison Off | ||
19. | Tuba Mirabilis (Solo) | 8′ | |
20. | French Horn (So) | 8′ |
SWELL | 1. | Bourdon | 16′ |
Expressive | 2. | Diapason | 8′ |
Manual III | 3. | Clarabella | 8′ |
4. | Rohrflute | 8′ | |
5. | Salicional | 8′ | |
6. | Voix Celeste | 8′ | |
7. | Flauto Dolce | 8′ | |
8. | Flute Celeste | 8′ | |
9. | Principal | 4′ | |
10. | Flauto Traverso | 4′ | |
11. | Salicet | 4′ | |
12. | Nasard | 2 2/3′ | |
13. | Harmonic Piccolo | 2′ | |
14. | Tierce | 1 3/5′ | |
15. | Chorus Mixture V | 2′ | |
16. | Fagotto | 16′ | |
17. | French Trumpet | 8′ | |
18. | Cornopean | 8′ | |
19. | Oboe | 8′ | |
20. | Vox Humana | 8′ | |
21. | Clarion | 4′ | |
22. | Tremolo | ||
23. | Glockenspiel | ||
24. | Swell Sub | 16′ | |
25. | Swell Unison Off | ||
26. | Swell Super | 4′ |
CHOIR | 1. | Dulciana | 16′ |
Expressive | 2. | Cello | 8′ |
Manual I | 3. | Concert Flute | 8′ |
4. | Dulciana | 8′ | |
5. | Unda Maris | 8′ | |
6. | Violina | 4′ | |
7. | Flute d’Amour | 4′ | |
8. | Dulcets II | 4′ | |
9. | Viol Fifteenth | 2′ | |
10. | Clarinet | 8′ | |
11. | Corno d’Amore | 8′ | |
12. | Tremolo | ||
13. | Harp | ||
14. | Celesta | ||
15. | Choir Sub | 16′ | |
16. | Choir Unison Off | ||
17. | Choir Super | 4′ | |
18. | Tuba Mirabilis (So) | 8′ |
SOLO | 1. | Major Diapason | 8′ |
Expressive | 2. | Nazard Gamba 2 Rks | 8′ |
Manual IV | 3. | Nazard Gamba Celeste 2 Rks | 8′ |
4. | Flauto Mirabilis | 8′ | |
5. | French Horn | 8′ | |
6. | English Horn | 8′ | |
7. | Tremolo | ||
8. | Chimes | ||
9. | Tuba Mirabilis | 8′ | |
10. | Solo Sub | ||
11. | Solo Unison Off | ||
12. | Solo Super |
CELESTIAL | 1. | Viol | 16′ |
2. | Violin Diapason | 8′ | |
Expressive | 3. | Viole d’Orchestre | 8′ |
Floating | 4. | First Viole Flat | 8′ |
In Chancel | 5. | Second Viole Sharp | 8′ |
behind arch | 6. | Cor de Nuit | 8′ |
7. | Muted Violin | 8′ | |
8. | Muted Violin Flat | 8′ | |
9. | Muted Violin Sharp | 8′ | |
10. | Aeoline | 8′ | |
11. | Vox Angelica | 8′ | |
12. | Fernflote | 4′ | |
13. | Angelis Caelestibus V | 4′ | |
14. | Vox Humana | 8′ | |
15. | Tremolo | ||
16. | Celestial Sub | ||
17. | Celestial Unison Off | ||
18. | Celestial Super |
PEDAL | 1. | Contra Bourdon | 32′ |
2. | Contra Gamba (Cel) | 32′ | |
Unenclosed | 3. | Diapason | 16′ |
4. | Violone (Gt) | 16′ | |
5. | Subbass | 16′ | |
6. | Lieblich Bourdon (Sw) | 16′ | |
7. | Viol (Cel) | 16′ | |
8. | Dulciana (Ch) | 16′ | |
9. | Octave | 8′ | |
10. | Bass Flute | 8′ | |
11. | Cello (Ch.) | 8′ | |
12. | Super Octave | 4′ | |
13. | Grave Mixture II | 2 2/3′ | |
14. | Bombarde | 32′ | |
15. | Contra Fagotto (Sw) | 32′ | |
16. | Trombone | 16′ | |
17 | Fagotto (Sw.) | 16′ | |
18. | Tromba | 8′ |
COUPLERS | 1. | Great to Pedal | 8′ |
2. | Swell to Pedal | 8′ | |
3. | Swell to Pedal | 4′ | |
4. | Choir to Pedal | 8′ | |
5. | Choir to Pedal | 4′ | |
6. | Solo to Pedal | 8′ | |
7. | Solo to Pedal | 4′ | |
8. | Celestial to Pedal | 8′ | |
9. | Celestial to Pedal | 4′ | |
10. | Swell to Great | 16′ | |
11. | Swell to Great | 8′ | |
12. | Swell to Great | 4′ | |
13. | Choir to Great | 16′ | |
14. | Choir to Great | 8′ | |
15. | Choir to Great | 4′ | |
16. | Solo to Great | 16′ | |
17. | Solo to Great | 8′ | |
18. | Solo to Great | 4′ | |
Status Screen | |||
19. | Celestial on Great | ||
20. | Celestial on Swell | ||
21. | Celestial on Choir | ||
22. | Celestial on Solo | ||
23. | Swell to Choir | 16′ | |
24. | Swell to Choir | 8′ | |
25. | Swell to Choir | 4′ | |
26. | Great/Choir exchange | ||
27. | All Swells to Swell |